How Old Was Britney Spears in Oops I Did It Again
| Oops!... I Did It Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Again is the second studio album by American vocalizer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Fourth dimension (1999), it is a pop, dance-popular, and teen popular record, the album incorporates a more than funkier and R&B sounds. [one] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal operation. The album became a massive commercial success, debuting at number 1 in over twenty countries while peaking inside the top five in various other. In the U.s.a., it debuted at number i on the Billboard 200, with kickoff-week sales of 1.39 million copies, becoming the fastest selling album past a female person creative person since Nielsen SoundScan began tracking indicate-of-sale music purchases in 1991.[iii] This record was cleaved 15 years later by Adele's 25, which sold over 3.38 million copies in its beginning week of release.[iv] It became Spears' second consecutive album to exist certified Diamond by the Recording Industry Association of America, cogent sales of over 10 one thousand thousand copies in the United states, making Spears at age 18 the youngest artist to accept multiple diamond albums.[5] With worldwide sales of over 20 one thousand thousand copies,[vi] Oops!... I Did It Again is one of the best-selling albums of all-fourth dimension.
Four singles were released to promote the album. Its title runway was commercially successful in a number of territories, reaching number one in 15 countries and peaking at number ix on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, inside the top ten in Australia, Belgium, Canada, Kingdom of denmark, Republic of ireland, Italia, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania and the U.k., and at number twenty-3 on the US Billboard Hot 100. Its tertiary single, "Stronger", reached the acme ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the Great britain, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilt certification in Australia, Denmark, Germany, New Zealand, Sweden, and the The states. Its final single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the top ten in Austria, Poland, and Switzerland, but failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and honour ceremonies, including a controversial functioning at the 2000 MTV Video Music Awards. She too was the host and musical invitee for the first time on Saturday Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Over again Bout, starting on June xx, 2000 and ending at the Rock in Rio festival on January xviii, 2001.
Recording and production [edit]
"When I did the first album, I had just turned 16. I hateful, when I look at the album encompass, I'thou similar, 'Oh, my lordy.' I know this next album's going to be totally dissimilar--specially the material. I just got finished recording the showtime half-dozen tracks in Sweden ii months agone, and the cloth is so much more funkier and edgier. And, of course, information technology's more mature because I've grown as a person too."
—Spears on the progression of her material for the anthology.[7]
Subsequently vacationing for six days following the completion of the ...Infant One More Time Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her next album; the bulk of the recording took identify in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[nine] The songs "Oops!... I Did Information technology Again", "Walk on By" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the first calendar week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Concluding to Know" at Robert Lange'southward villa in Switzerland in Dec 1999; Lange produced the vocal.[10] "Where Are You Now" was an outtake from ...Infant One More than Time. "Girl in the Mirror" and "Can't Brand You Beloved Me"'s instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upwardly with producer Steve Lunt to tape Diane Warren'southward "When Your Eyes Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL advent that day. "One Kiss from Y'all" was also recorded at Battery Studios but was afterwards finished at third Flooring in New York Metropolis. Spears besides recorded the terminal track for the album "Honey Diary" which would later be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attention the 42nd Annual Grammy Awards.[13] [xiv]
By Jan, the then-untitled anthology was halfway to completion; Spears had worked on information technology primarily in the U.s. and Sweden, and finalized material in New York Metropolis.[9] She was heavily pressured after ...Baby One More than Fourth dimension 'due south huge commercial success, stating: "It's kind of hard following x million, I accept to say. Simply afterward listening to the new textile and recording it, I'm really confident with it."[15] Upon the release of Oops!...I Did Information technology Again, Spears said: "I mean, of course there's some pressure", and added: "But in my opinion, [Oops!] is a lot better than the outset album. It's edgier – it has more of an attitude. It's more than me, and I think teenagers volition chronicle to it more." Geoff Mayfield, manager of Billboard charts, added that the conclusion to release Oops!... I Did It Again less than a year and a half after Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base, get 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did Information technology Again was considered as a sequel to Spears' debut album, ...Baby One More Time (1999),[1] percolating with a carefully measured alloy of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more mature, R&B-flavored pop audio. "Information technology's not something I inverse purposefully", Spears said of the anthology'southward sound and added: "It'due south merely something that kind of changed on itself with me being older. My vocalisation has changed a lilliputian bit and I'1000 more confident, and I recollect that comes across on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones encompass, stating: "It's going to daze everybody", adding: "Information technology has flavors of the original, merely it'south a straight 2000 version — new to the ear. Which I retrieve is cool, considering people who appreciate that song are going to beloved it. And I fabricated it so new and young that the young kids that love Britney are going to love it. It'southward going to grab both a mature and immature audition."[eighteen] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the song, it'southward so pure and delicate. It's just 1 of those songs that pull you lot in", and added: "I think they wrote it 'specially for me, because the lyrics of the song, if yous really heed … they're more of what I can chronicle to, 'crusade they're kind of young lyrics, I remember. I don't think Shania would probably sing some of the words that I'm saying."[18]
The championship rail and opening song, "Oops!... I Did It Once again", was compared to her debut single, "...Infant One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears alert to an overeager prospective lover: "Oops, you lot think I'm in dear/That I'm sent from to a higher place — I'm not that innocent."[19] The vocal also breaks downward for a spoken-word interlude, involving a line from the film Titanic (1997).[19] The 2d track "Stronger" is a synthpop[xx] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[21] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her vocal "...Baby One More Time".[18] Another R&B-infused track, which besides adds a fleck more funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The fourth track, a cover of the Rolling Stones' "(I Tin't Become No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry out, crackling lockstep is thrown down, turning the vocal into an urban stomp.[22] The trip the light fantastic toe-pop version also jettisons the song'south final poetry and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[Information technology] was my idea [to record the vocal]", Spears said. "I was just like, 'I like this song,' and I think it will exist a really cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song like that."[24] The 5th track, "Don't Let Me Be the Last to Know", was co-written by country-pop vocalist-songwriter Shania Twain and her and so-hubby, producer Robert "Mutt" Lange, who also produced the rail.[18] The ballad, which boasts a slinky keyboard riff and Lange'south characteristically lavish production, finds Spears allowing a bit of state twang into her vocals equally she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it straight from you", she sings.[eighteen]
The 6th track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the 7th rails, "Lucky", is a center-rending tale of a Hollywood starlet'south loneliness, proving that fame can be empty.[21] "If there'south zilch missing in my life/And then why practise these tears come up at night?", she asks.[20] "Schoolhouse crush" is the theme of "One Kiss from Yous",[21] a track that has a reggae-style beat out and lyrics about the feelings of falling in love, and the quickness of it,[25] with Spears cooing that after only one kiss she sees her unabridged future with her lover.[26] The ballad "Where Are You lot At present" talks about wanting to know where a previous love is, and what that person is up to, and so that she can finally let them go and detect closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop vocal,[22] land that fancy cars and money pale in comparison to truthful dear,[21] with Spears singing: "I'one thousand only a girl with a crush on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop beat,[18] while Spears makes her own songwriting debut on the pocket-size, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the rails, she sings of wanting to go "so much more than friends" with a boy.[18]
Release and promotion [edit]
In belatedly 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Boom Hits in the United Kingdom.[27] In Italy, she did a short interview on the boob tube show TRL Italy in early on 2000.[27] and gave a surprise performance in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[27] In Spain, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Loonshit. She was accompanied by NSYNC, who toured with her during a short United Kingdom outing in October 2000.[28]
Oops!... I Did It Again was showtime released in Japan on May 3, 2000, and was later released in the United States on May 16. In the Usa, Spears appeared on Sat Night Live on May 13, The Rosie O'Donnell Testify on May 15, and Teen People's 25 Nether 25 on May 26.[29] On May x, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical invitee on NBC's Saturday Night Live. She also performed on NBC's The Tonight Show with Jay Leno on May 23.[30] Spears' held her post-TRL listening party, "Britney'due south First Heed", on May sixteen, and was toast the inflow of her anthology on next Tuesday's installment of TRL that started at 3:30 p.m. (ET).[31] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was circulate on July nineteen, 2000.[27] On September vii, at the 2000 MTV Video Music Awards in New York Urban center at the Radio Metropolis Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones'due south striking single "(I Can't Get No) Satisfaction" (1965) and her own hitting "Oops!... I Did It Once again", released earlier that year. While she began her segment in a black arrange, she shocked the audition and the media while, at simply the age of xviii, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] One month before the release of the album, Spears headed to Hawaii on Easter Lord's day so she could record a Fox goggle box special titled Britney Spears in Hawaii. The free concert was held on the embankment in front end of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert event was intended to serve every bit a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in back up of Oops!... I Did It Once again, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was likewise among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[36] She was also expected to appear on a Grammy-mean solar day TRL.[36]
The album's supporting tour, the Oops!... I Did Information technology Again Tour, visited North America, Europe, and Brazil equally part of Stone in Rio. On the Crazy 2k Bout, Spears introduced the songs "Oops!... I Did It Over again" and "Don't Let Me Exist the Last to Know". On June 24, 2000, Spears was featured in a print and television advertizing entrada for Clairol'southward Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was part of a pre-concert video presentation for Spears's 50-urban center summer concert bout, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released equally the pb single from the anthology and achieved worldwide popularity. It became Spears'southward third top-ten hit unmarried on the Us Billboard Hot 100, peaking at number nine; notwithstanding, in comparison to the huge success of her debut unmarried "...Baby One More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a small-scale disappointment.[38] The song peaked at number one on the US Mainstream Top 40,[39] belongings the record for the most radio additions in one day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italian republic, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the sea at the end of Titanic.[41]
The anthology's second single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number five on the Great britain Singles Chart.[42] In the United States, "Lucky" only managed to top at number twenty-iii on the Billboard Hot 100 chart and at number nine on the Mainstream Pinnacle 40.[38] The "glittery" music video sees Spears equally the narrator and an actress named Lucky, who is a melancholy picture show star and shows her conflicted relationship to fame.[43]
The tertiary single, "Stronger", was released on October 30, 2000 and became the anthology's second highest-charting unmarried in the United States, peaking at number eleven on the Billboard Hot 100 and number 1 on the Hot Single Sales.[38] It reached number seven on the UK Singles Chart.[44] Its music video sees Spears catching her boyfriend cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasance Principle".[45]
The quaternary and final unmarried, "Don't Let Me Exist the Last to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the United States, the vocal performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the top x in Austria, Poland and Switzerland, while simply missing the top ten in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered also racy at the time, portraying Spears in love scenes with her fictional fellow, played by French model Brice Durand.[47]
"You Got Information technology All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the Great britain in January 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [i] |
| Billboard | favorable[17] |
| Christgau'due south Consumer Guide |  [50] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | eight/10[52] |
| NME | 8/x[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.internet | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did Information technology Over again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[55] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-popular that made 'One More Time'," but remarked that, "Fortunately, she and her product team not merely accept a stronger overall gear up of songs this time, but they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album grapheme apart from the well-crafted dance-popular and ballads that serve as its center. In the stop, it's what makes this an entertaining, satisfying listen."[one] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't be conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner power—and that's a darn good message to offer an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds united states of america one time again that the best new pop tin can be a blast of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of v stars rating, calling the album "fantastic pop cheese, with much better vocal-factory hooks than 'Northward Sync or BSB get", also noting that "the bully thing nigh Oops!, under the cheese surface, is complex, tearing and downright scary, making her a true child of stone & roll tradition."[23] A writer of NME reported that "she's modern-mean solar day pop perfection realised in a nearly, human being grade", commenting that "she's washed it over again."[twenty] Lennat Mak of MTV Asia named information technology "a bright 2nd album", writing that Spears "is armed with a more than mature and seasoned pop star look, stronger and poppier songs, and of course, all-encompassing media exposure."[52] Andy Battaglia of Salon called the album "a masterpiece of sorts non for its message simply for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Guild was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every plow and soliciting songwriting from such soulless hacks as Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the United states, Oops!... I Did Information technology Once more reportedly sold 500,000 copies in its start solar day of release.[62] It debuted at number one on the Billboard 200 chart, with commencement-week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest first-week sales by a female artist.[66] This record was held for 15 years, simply to be surpassed in Nov 2015 by the anthology 25 by Adele, which sold over iii.38 million albums in the U.s. in its starting time calendar week.[4] The album barbarous to number two in its second week, with boosted sales of 612,000 copies.[67] It held this position for 15 consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies by August.[70] On its seventeenth week on the chart,[71] information technology was certified septuple Platinum by the Recording Manufacture Association of America (RIAA) for shipments of seven million units.[72] [73] The album spent 80-four weeks on the Billboard 200, 30-one weeks on the Canadian Albums Chart, and two weeks on the Usa Catalog Albums.[74] Oops!... I Did It Again debuted at number 80-2 on the European Top 100 Albums, and speedily peaked at number i;[75] it sold over iv million copies within the continent, existence certified four-times Platinum by the International Federation of the Phonographic Manufacture.[76] Oops!... I Did It Again reached number 2 on the U.k. Albums Chart,[40] selling 88,000 copies in the commencement calendar week of release; it remained in the top five for four weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its showtime calendar week.[77]
It topped the French Albums Nautical chart[78] and the German language Offizielle Top 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[79] double Gold past the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum past Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Nautical chart, and spent 10 weeks in the summit twenty;[82] information technology became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Manufacture Association (ARIA) the post-obit year after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did It Once more opened at number three on the New Zealand Albums Chart and was certified Gilt after simply ane week on the chart.[85] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified information technology double Platinum.[86] Oops!... I Did It Again became the 3rd best-selling anthology of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[87] and quaternary best-selling anthology according to Billboard Yr-Finish of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Manufacture Clan of America (RIAA).[89] [90] Also, the anthology landed at number twenty-seven on BMG Music Club all-time best-sellers listing with 1.21 million units, backside Shania Twain'south The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[91] As of July 2009, the album has sold 9,184,000 copies in the U.s.a., excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold two.v million copies in its showtime week (second highest first week sales by a female artist worldwide) and sold 15 million copies by the stop of the year. It was the best-selling female anthology and 3rd all-time selling anthology of 2000. The anthology has sold 20 million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Grouping and BMG Music Publishing, challenge Spears' "What U See (Is What U Get)" and "Can't Make You Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You See Is What You Get" in 1999 to 1 of Spears' representatives for consideration on a future album, though information technology was rejected.[93] The case was later dismissed after information technology was ruled that they lacked sufficient evidence and that at that place "weren't plenty similarities between the 2 songs to evidence copyright infringement."[94]
Track listing [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| one. | "Oops!... I Did It Again" |
|
| 3:31 |
| 2. | "Stronger" |
|
| iii:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Go No) Satisfaction" |
| Rodney Jerkins | iv:23 |
| 5. | "Don't Let Me Be the Terminal to Know" |
| Lange | three:fifty |
| half dozen. | "What U See (Is What U Get)" |
|
| 3:36 |
| vii. | "Lucky" |
|
| 3:26 |
| 8. | "One Kiss from You" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You Now" |
|
| four:39 |
| 10. | "Can't Make You Love Me" |
|
| iii:17 |
| 11. | "When Your Optics Say It" | Diane Warren |
| iv:29 |
| 12. | "Honey Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| xiii. | "Dear Diary" |
|
| 2:46 |
| Full length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| iv:06 |
| 12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Honey Diary" |
|
| 2:46 |
| Full length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| eleven. | "When Your Eyes Say Information technology" | Warren |
| four:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You Got It All" | Holmes | White | iv:x |
| 14. | "Heart" |
|
| three:31 |
| 15. | "Beloved Diary" |
|
| 2:46 |
| Full length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| one. | "Don't Let Me Be the Terminal to Know" (Anthology version) | 3:50 |
| 2. | "Don't Let Me Be the Final to Know" (Hex Hector Radio Mix) | 4:01 |
| three. | "Don't Let Me Exist the Last to Know" (Hex Hector Club Mix) | ten:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | v:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Again" (Music video) | 4:11 |
| vii. | "Lucky" (Music video) | iv:07 |
| 8. | "Stronger" (Music video) | three:37 |
| nine. | "Don't Permit Me Be the Last to Know" (Music video) | three:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did Information technology Again" (Music video) | 4:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did It Again" (Karaoke) | iv:17 |
| five. | "Lucky" (Karaoke) | 4:eighteen |
| vi. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Tin can't Become No) Satisfaction" is a cover of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, groundwork vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Chocolate-brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – banana engineer
- Charles McCrorey – engineer, banana engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Potato – art direction, design
- Marker Seliger – dorsum cover, comprehend photo
- Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal system, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Loma – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – groundwork vocals
- Audrey Martells – groundwork vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – background vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – background vocals
- Mona Yacoub – groundwork vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-stop charts [edit]
Decade-end charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See besides [edit]
- List of all-time-selling albums
- List of best-selling albums by women
- List of best-selling albums in the U.s.
- List of fastest-selling albums
Notes [edit]
- ^ Equally of December 2010, Oops!...I Did Information technology Again has sold 9,201,000 copies in the United States according to Nielsen SoundScan,[185] with boosted 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Over again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did Information technology Again (Special UK Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did Information technology Over again Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved Baronial 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Once again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again 20th ceremony edition pic vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Simply Hits. Twelvemonth by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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